I have a passion for anything that is beautiful. This ranges from things that are aesthetically pleasing to those that are scandalously clever. I started out by sketching the life around me but soon realized that sketches pertain to the category of small-scale beauty. Rarely does the beauty of a singular sketch impact a great deal of people. I wanted something large-scale, something that masses would marvel at in years to come. That is why I have developed a great interest in becoming an architect.

When approached with a design challenge and given certain limitations, I like to use those limitations to aid my creativity. I find twisted ways to work around them. Therefore, the most challenging part of the process is not the specifics, but rather the main theme. When choosing a theme I aim to incorporate the surreal. After all, reality sets too many boundaries.

The project that I am currently working on involves completely redesigning the façade of the MoMA so as to make it more inviting to a diverse public. Since I have been frequenting the museum I have grown more critical of its outward appearance. This has resulted in many unusual ideas swirling around in my head making it difficult to decide on which is the most practical and yet eccentric one.