by Karina Brioukhova

Born in Northern California (San Francisco to be exact), relaxed street culture is second nature to multi-tasker Rich Jacobs. The remnants of such an upbringing are certainly evident in the way this artist-cum-curator structures his projects. Jacobs creates his art within a large range of media, from cups to canvas to album covers. Much is the same in respect to his curatorial works; a myriad of compelling, under-the-radar artists capture the audience in Jacobs’ shows. Although graffiti is no stranger to Jacobs, a simple tag is not how one would describe the intriguing, elongated faces that are the signature of his work; the commentary that accompanies these “people” is what could equate him to such idols as Basquiat and Warhol. He dares to work with different media, both canvases and practical things such as skateboards. His art makes one perceive him as a kid and thus teens can relate to him and admire his abilities all at once. His work is intimate without being romantic and dainty, reflecting what most teenage aspiring artists are doing now––trying to portray their feelings and emotions without being too vulnerable, and thus creating art that is both baroque and inviting. It is almost as if Jacobs is still rebelling against society, the troops of his elongated people are behind him and against the art world. Such anarchy simply encourages artists of tomorrow to view this industry as less exclusive and elusive.

Photo courtesy of Alan Bamberger, artbusiness.com